Considering the profusion of marble figures and busts carved by Andreoni, it is surprising that more is not known about this enterprising sculptor. Based in Rome, Andreoni sent works for exhibition as far as Glasgow (1888) and Berlin (1892) and is believed to have been active for a time in America. This exposure established his international reputation. Andreoni specialised in historical and Biblical subjects. Andreoni’s expertise with the chisel is evident here in the skillfull handling of the body, hair, and nature. Other historic subjects he treated included figures of a Pharisee (Sydney Museum), Francesco da Rimini, Messalina, the Blind Nidia, and Hamlet (Bournemouth). Perhaps Andreoni’s greatest contribution was his large workshop in Rome a generation of sculptors received their training. Notable amongst these was Antonio Rossetti, who appended the words ‘... Studio O Andreoni Roma’ after his signature while working there.
Both teacher and pupil made a speciality of portraying figures beneath diaphanous veils to demonstrate their technical mastery of the medium.
Related Literature:
Panzetta, vol.1, p.72; Vicario vol.1, p.29; Mackay, p.26; Dr. J. Payan, The Statues of York House Gardens Twickenham, 9th Annual Conference of the Fountain Society, 9th September 1995.